About the 1%關於那 1%

我是通訊工程師，做 5G、6G 演算法。我喜歡思考，但不是繁瑣的數學計算，而是跟對的人一起把問題拆解、把各種可能性都拿出來討論的那個過程。

我的畫受 Van Gogh 跟 Leonid Afremov 啟發，他們都是用光在作畫的人。海面落日、橋、建築，構圖裡用顏色帶出情緒。

潛完水之後，我常坐著看夕陽落到海面。拍出來的照片回應了我喜歡的那些畫，跟我自己畫的東西。旅行也是一樣，追光、追色，夕陽，海洋，各種風景愛畫也愛看愛拍。

不同的是，我很少畫人，但很愛拍人。街拍跟風景不一樣，每張都是某一個瞬間、某段我親身經驗，那份與人連結，是它們之所以有意義的原因。

有人問我是哪種類型的攝影師，我還沒有答案，可能還在摸索中吧。但有朋友說我的照片像透納的畫，那種光取代形狀的感覺。也有歐風的感覺（奧、捷、德、瑞那種浪漫主義或非現實感），還有日式的清晰和空氣感。也許吧，我其實也不知道。但只要這些照片確實是我拍下來的，那就能代表我，那就夠了。

I’m a communications engineer — I work on 5G and 6G algorithms. I love to think, but not the grind of heavy math. What I love is taking a problem apart with the right people, putting every possibility on the table and talking it through.

My paintings are inspired by Van Gogh and Leonid Afremov — both of them painters of light. Sea sunsets, bridges, buildings: I let colour carry the emotion.

After a dive, I’ll often just sit and watch the sun fall into the sea. The photos I come back with answer the paintings I love — and the ones I paint myself. Travel runs on the same instinct: chasing light, chasing colour — sunsets, the ocean, every kind of landscape. I love to paint them, to look at them, to photograph them.

What’s different is people. I rarely paint them, but I love to photograph them. Street photography isn’t like landscape — every frame is a single moment, something I was there for. That connection with another person is what makes the picture mean something.

People ask what kind of photographer I am. I don’t have an answer yet — still finding out, probably. A friend once said my photos look like Turner paintings: light taking the place of form. There’s a European feeling in there too — the Romanticism, the touch of unreality you find in Austria, Czechia, Germany, Switzerland — and a Japanese clarity, a sense of air. Maybe. Honestly, I don’t really know. But as long as these photos are genuinely mine, they’re enough to stand for me — and that’s enough.